I just received the dvd for this film, which looks sumptuos and amazing, and has been specially selected for a movie night with said best friend. I'll review it once we've seen it, but it got me to thinking.
Of course there are the usual frock flicks like Gone with the wind, Room with a view, The Princess Bride and The BBC Pride and Prejudice that are widely acknowledged as classics of the genre. But there are also the lesser known films, the slightly embarassingly corny, naff, raunchy, or even worse to some, not remotely historically accurate. *Gasp!* They're the Sunday-afternoon-in-your-pyjamas films that would never even be remotely considered for an award, yet I can recite them word for word and secretly prefer to their much better scripted, directed and acted counterparts.
So I'm going to do a series of posts on my top 5 costume films that I don't like to admit to being obsessed with.
THE SCARLET PIMPERNEL (1982 TV MOVIE)
Costume Design: Phyllis Dalton
Sink me. There have been many adaptations of Baroness Orczys novels but this made for TV film adaptation is by far my favourite. The strangest thing about this film is I started watching it because my very straight, then in his mid teens older brother, loved it. (He also had an unhealthy obsession with Robin Hood, Prince of Thieves when it came out, but lets not go into that).
|When Gandalf met Sebastian Flyte|
The Cast:The film is most notable today for having a young(er) Ian McKellan as Chauvelin, long before he became the hero of geeks everywhere, at a time when he was almost exclusively known as a highly respected Shakespearean actor. He is brilliantly uptight as the much thwarted villain of the piece, but also brings an almost sympathetic, softly comic side to what might otherwise be a fairly dull character It also stars an almost unrecognisably beautiful Jane Seymour as Marguerite St. Just, and Anthony Andrews (sans Aloysius) playing the titular fop-come-masquerading hero to perfection. The script is witty and fast paced and doesn't ask you to think too much, aware that it is firmly placed in the Rollicking Good Time genre, but by casting some of the England's finest, the characters become more than cardboard cutouts with complex relationships, lifting what could have been mellodrama into a love triangle between layered and three dimensional characters. Playing fast and loose with the source material (it's based on at least 2 of the Baroness' books, both the original Scarlet Pimpernel and Eldorado), it's as ridiculous as it is completely charming, escaping the self-congratulatory smugness or attempts to make serious commentary on the revultion, it allows as the laddish charm and romantic subplots of the league seduces you into their adventures.
|Those hats, that collar, the hair|
The Costumes:And the costumes? It's designed by Phyllis Dalton. The name may not mean much, but when I tell you her extensively impressive list includes Doctor Zhivago and Laurence of Arabia before this film, but who also went on to costume two of the most beloved frock flicks (at least in my opinion) The Princess Bride and Kenneth Branaghs Much Ado About Nothing, you will appreciate that I don't need to wax lyrical about her talents. Unusually for this period of paniers, heaving bosoms and powdered hair, the costumes manage to be gorgeous without distracting from the characters wearing them. Margeurite's are particularly impressive from both a beautiful and character driven perspective, as she convincingly transforms from Republican sympathetic French actress to wealthy English Lady.
|Margarite as on the stage...|
|vive la revolution ....|
|to English garden party|